Donnerstag, 19.06.2025 11:53 Uhr

Slipped Disc: An Evening for People with Postural Damage

Verantwortlicher Autor: Nadejda Komendantova Schauspielhaus Dresden, 11.04.2025, 09:28 Uhr
Presse-Ressort von: Dr. Nadejda Komendantova Bericht 4134x gelesen

Schauspielhaus Dresden [ENA] The Staatsschauspiel Dresden's production of Ingrid Lausund's "Bandscheibenvorfall – ein Abend für Leute mit Haltungsschäden" (Slipped Disc – An Evening for People with Postural Damage) is an extraordinary theatrical experience that masterfully blends biting satire with profound human insight. Under the adept direction of Philipp Lux, this performance transforms the mundane setting of an office into a vibrant stage where the complexities of human behavior and corporate dynamics are laid bare.​

From the moment the curtain rises, the audience is transported into a meticulously crafted world that is both familiar and surreal. Sabrina Rox's set design is a visual triumph, depicting an oppressive landscape of towering filing cabinets that encapsulate the claustrophobic atmosphere of a corporate purgatory. This backdrop serves as the perfect canvas for the unfolding drama, where five distinct characters navigate the treacherous waters of office politics in pursuit of elusive approval from an unseen boss.​

The ensemble cast delivers performances of exceptional caliber, each actor embodying their role with remarkable depth and nuance. Thomas Eisen's portrayal of Kretzky, the office's self-appointed jester, is both hilarious and poignant, capturing the tragicomic essence of a man desperate for validation. Paul Kutzner as Hufschmidt exudes a chilling ambition, his every move calculated to ascend the corporate ladder, regardless of the cost to his colleagues. Friederike Ott brings a compelling complexity to Kristensen, whose facade of team spirit thinly veils a relentless drive for personal advancement. Josephine Tancke's Schmitt is a study in controlled intensity, her obsessive quest for self-improvement leading to moments of comedy.

Torsten Ranft's Kruse, the perennial underdog, elicits genuine empathy as he embodies the struggles of those perpetually sidelined in the workplace.​ The chemistry among the cast is palpable, their interactions crackling with energy and authenticity. Lux's direction ensures that the pacing is brisk, with each scene seamlessly transitioning into the next, maintaining a rhythm that keeps the audience engaged and invested. The dialogue, rich with wit and incisive commentary, resonates deeply, reflecting the absurdities and anxieties inherent in modern corporate culture.​

One of the production's standout features is its innovative use of music and sound. Vredeber Albrecht's compositions serve as an emotive undercurrent, accentuating the highs and lows of the narrative. The strategic incorporation of familiar tunes adds layers of meaning, evoking nostalgia and highlighting the characters' internal conflicts. The lighting design by Konrad Dietze further enhances the production's impact. The stark illumination of the office space contrasts with the softer, more intimate lighting during moments of personal revelation, effectively mirroring the duality of the characters' public and private personas.​

Costume designer Katja Strohschneider deserves special commendation for her thoughtful and symbolic wardrobe choices. The evolution of the characters' attire subtly reflects their psychological states and the shifting dynamics within the office, adding a visual narrative that complements the unfolding drama. Ingrid Lausund's script is a masterclass in blending humor with critical social commentary. The play delves into themes of identity, ambition, and the human cost of corporate conformity. It challenges the audience to reflect on their own experiences and the societal structures that shape them.​

The production's ability to balance comedy with moments of genuine pathos is a testament to the skill of everyone involved. The humor is sharp and unrelenting, yet it never undermines the serious undertones of the narrative. This delicate equilibrium ensures that the play is not only entertaining but also thought-provoking.​ Audience reactions have been overwhelmingly positive, with many praising the production's relevance and the performances' authenticity. The play's exploration of workplace dynamics and personal integrity resonates with viewers, sparking conversations long after the final curtain call.​ In conclusion, the Staatsschauspiel Dresden's "Bandscheibenvorfall" is a theatrical tour de force that captivates and entertains.

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